鶹ý

Voice Intensive

voice performance students singing in a choir

A two- week summer program offering a concentrated study experience designed for high school vocalists ages 14 –18.
June 15–26, 2026.

About

鶹ý College of the Arts Voice Intensive is a two- week summer program offering a concentrated study experience designed for high school vocalists ages 14 to 18. The program will allow young artists to explore their abilities as solo performers through opportunities in a wide range of repertoire interests and styles while meeting students where they are. Through college-level training by world class faculty in a friendly nurturing environment, young vocalists will have the opportunity to move their vocal mastery forward, develop performance skills and make new friends in the process.

Our young vocalists will take part in daily group and individual sessions in vocal technique, pedagogy, repertoire development, body awareness and strengthening, vocal diction, performance style and techniques, ensemble work, and college audition prep. Attendees will experience growth and develop a balanced approach to singing. Students will also have the opportunity to enhance reading and music theory skills at all levels. Masterclasses and sessions with PBAU’s distinguished voice faculty will impact students through individualized experiences. The program will conclude with a showcase of student performances to be held on the Campus of PBAU in the beautiful Vera Lea Rinker, Persson Hall.

Sessions to include:

  • Daily Individual Voice Lessons
  • Daily Group Masterclass Sessions
  • Vocal Technique & Pedagogy
  • Diction & Repertoire Development
  • Music Theory & Sight-Singing
  • Ensemble opportunities
  • College Audition Prep
  • Alexander Technique
  • End of week Recital Performances

Tuition

Commuter Students Application
Fee*
Tuition Total
June 15–19 ( Week 1 ) $100 $500 $600
June 21–26 ( Week 2 ) $100 $500 $600
June 15–26 ( 2 Weeks ) $100 $900 $1,000

Resident Student Rate
Please contact Eileen_Hebron@pba.edu for more details.

*Application fee is non-refundable.

50% Tuition Deposit is due within one week of receiving your acceptance notice. Tuition is due by May 15. This deposit will be applied to the total cost of tuition. (Deposits are non-refundable.) All payments and prices will incur a 3.49% credit card processing fee.

 

Schedule

9 a.m. – Warm ups & Ensemble
10 a.m. – Vocal Pedagogy , Singers Diction
11 a.m. – Voice Groups
12 p.m. – Lunch
1 p.m. – Music Theory & Conducting
2 p.m. – Voice Rotations
4 p.m. – Ensemble
5 p.m. – Dismissal

*Schedule subject to change

Admissions Information

Read all the information on this page.
Click on the “APPLICATION” link below to register via the online portal.
Fill out the online application.
Upload your solo audition material video directly onto the application site. Audio only will not be accepted.
Submit your application fee online.
Confirm and you are done! You will receive an email confirmation.

If you have any questions, email us at Preparatory_Department@pba.edu

May 1st: Application Deadline.
(Late Applications will be considered if space is available.)

The non-refundable application/processing fee is US $100
This fee is payable online by credit or debit card as the final step in submitting the application.

Acceptance letters will be emailed to all applicants within one week of receipt of application material.

Reservation Deposit
50% Tuition Deposit is due within one week of receiving your acceptance notice.
Include the signed Pledge, Waiver, and Tuition Reservation Deposit.

Payment via Credit Card/Debit Card is accepted.

 

Cancellation of Reservation
Please note, there are no refunds issued if you need to withdraw after May 15.

The Account Balance and Waiver Forms are due May 15.
The balance of your account must be paid in full by May 15th. Arrival of the final tuition payment after the May 15 deadline may result in the loss of your reservation and placement on the wait list, as well as a $50 late fee.

Payable to:
鶹ý

Mailing Address:
鶹ý
Department of Music
Preparatory Department
1301 S. Olive Avenue
West Palm Beach, FL 33401

Instructors

Soprano Laurie Domingue Lester has sung opera, concert work, and recitals throughout Europe and the United States performing such operatic roles as Giulietta in I Capuleti e i Montecchi, Pamina in Die Zauberflöte, Anne Trulove in The Rake’s Progress, Adele in Die Fledermaus, Miss Wordsworth in Albert Herring, Morgana in Alcina, and Charleston Singer in Opera Theatre of St. Louis’ world premiere of Loss of Eden.

She has performed as soprano soloist in many of the standard repertory concert works such as Handel’s Messiah, Mozart’s Requiem, Bach’s B-Minor Mass, Haydn’s Lord Nelson Mass and Mahler’s Symphony No. 2, amongst others. Dr. Lester has been recognized in numerous singing competitions including the First Place prize and Audience Choice award at the International Meistersinger Competition in Graz, Austria, First Place in the Texoma Singer of the Year Competition, Second Place in the National Association of Teachers of Singing Artist Award National Finals, Second Place in the Orpheus Vocal Competition, Second Place in the Mobile Opera Competition, and three time Regional Finalist in the Metropolitan Opera National Council Auditions.

Mark Aliapoulios, baritone, made his concert debut at the age of 25 with the Boston Symphony Orchestra under the baton of Maestro Seiji Ozawa. Since then he has performed as soloist with numerous organizations around the world including the Boston Symphony, the Cleveland Orchestra, the Pittsburgh Symphony, the Portland Symphony Orchestra, the Vermont Symphony, the Shinsei Nippon Symphony (Japan), the Symphonic Orchestra of Belgrade Radio/Television (Yugoslavia), the Handel and Haydn Society, the Mark Morris Dance Company, the Tanglewood Festival Chorus, the Boston Ballet Orchestra, the Longwood Symphony, as well as the Opera Company of Boston, the Boston Lyric Opera, Palm Beach Opera, the Miami Bach Society and the Florida Philharmonic Chorus. As a soloist, he has sung under the batons of leading international conductors Leonard Slatkin, Seiji Ozawa, Kurt Mazur, Eric Leinsdorf, Lucas Foss, Sarah Caldwell, Jonathan McPhee, Jaime Laredo and Robert Shaw. In the traditional opera repertoire, he has sung leading roles in Madama Butterfly, Der Freishütz, La Bohème, Don Giovanni, Dialogues des Carmélites, Der Fledermaus, and Werther. Mark is both a professor of voice and Associate Dean for the PBA College of the Arts.

Marilyn Mims debuted during the 1987-88 season as leading lady with the New York City Opera in La Traviata, at Carnegie Hall with the Opera Orchestra of New York in Meyerbeer’s Robert le Diable, and with the Metropolitan Opera in Die Fledermaus. During the next seven seasons she sang seven major roles at the Metropolitan Opera (Violetta, Fiordiligi, Konstanze, Gilda, Lucia, Rosalinde, and Donna Anna) including two live Saturday afternoon broadcasts as Violetta and Fiordiligi, with James Levine conducting. Her performance of Ortlinde in Levine’s recording of Wagner’s Die Walküre earned her a “Grammy” Award. Her career as a professional operatic soprano included appearances with major opera companies and orchestras spanning five continents including major appearances with San Francisco Opera, Santa Fe Opera, Grand Theatre of Geneva, Teatro Colon of Buenos Aires, Canadian Opera, and the New Israeli Opera. At Palm Beach Atlantic she teaches voice and is producing director of the Opera Workshop program.
Sonia Santiago Performing artist and veteran educator Sonia Santiago is a distinguished music educator and voice instructor and has one of the most sought-after private voice studios in South Florida. As an accomplished voice instructor, she emphasizes vocal freedom through healthy vocal technique in all styles and genres. Sonia has thrilled audiences worldwide with her rich lyric mezzo-soprano voice. She is an artist that is as much at home on the operatic stage as in the concert hall. Mrs. Santiago currently serves as Assistant Professor of Music and Director of Choral Activities at 鶹ý in West Palm Beach, Florida in addition to maintaining a select private voice studio. Her work at the university includes overseeing all vocal ensembles and teaching applied voice. Her acclaimed choirs are active throughout the school year and play an important role in outreach and recruitment for the university.

Bio

Accepted Students

Congratulations on your acceptance to the PBA Summer Intensives. You will want to begin preparing immediately for your time here this summer. To pay for the tuition, you’ll need the acceptance code. If you have questions or need assistance, contact preparatory_department@pba.edu.

Payments

Waivers